On The Wire: Wire Chairs by Charles and Ray Eames-


Designed in 1951, the Eames wire chairs take the same form as their plastic cousins, the world famous plastic side chair. The Chairs are made from welded steel with a double layer of thicker rods forming the outline of the chair. I took these images at Vitra’s (The European licence holder for Eames products) factory campus in Weil am Rhein in Germany. I loved how they were dotted around the campus outside the factory and showroom buildings. They can be seen here mounted on a tandem base outside factory buildings by Frank Gehry (white building), Alvaro Siza (red brick building) and Nicholas Grimshaw (metal clad building).


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Star of Bethnal Green: Keeling House By Denys Lasdun Bethnal Green, London-


Nestled between rows of Victorian terraces, on Claredale Street in London’s Bethnal green, Keeling house was designed by Denys Lasdun and Partners in 1958. Lasdun’s most famous project was the brutalist National Theatre on London’s Southbank. The fifteen-storey cluster block contains 56 maisonettes and 8 studios and is formed of 4 blocks angled round a central shaft containing the services, stairs and lift. The block orginally designed as council housing was grade 2* listed in 1993. In 1999 was renovated and redeveloped by a private developer and the flats are now very desirable.

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Too Cool For School: London Zoo Penguin Pool by Berthold Lubetkin-


Happy world penguin day everybody! In celebration, today’s post features three of my favourite things: Modernism, monochrome and penguins!

Russian architect Berthold Lubetkin, who emigrated to England in the 1930s, was probably most famous for Highpoint, a block of flats in North London. He was a pioneer of the modern movement in Britain and worked on many projects. He designed the penguin pool at London zoo in 1934 which housed the penguins until recently. The  pool is still at London Zoo today and is now grade 1 listed but unfortunately the penguins have been moved to another enclosure.

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(Source: themodernist.co.uk)

Museum Piece: The Minguren Museum by George Nakashima-


The Minguren Museum was completed in 1967. It features a curved thin shell roof, something that Nakashima experimented with throughout his career. The mosaic by Ben Shahn was installed in 1972 posthumously from sketches that he had made. As with all of Nakashima’s architecture the flow between inside and outside spaces is important and these boundaries are blurred. The museum also features a cantilever staircase.


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Stahl and Substance: Stahl House by Pierre Koenig-


Designed in 1960, Stahl house is probably Koenig’s most famous building. The house featured in John Entenza’s Arts and Architecture magazine Case Study House program and was also known as case study house 22. Stahl house is perched high in the Hollywood hills overlooking L.A. and these images taken by Julius Shulman have become absolutely iconic. Making the most of the amazing view was at the top of Buck Stahl’s design brief and it is safe to say that Koenig delivered, designing the house with floor to ceiling windows on three sides.


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Ant-thropology: Ant Chair by Arne Jacobsen-

Arne Jacobsen designed the Ant chair in 1952. The chair has 3 chrome legs and the seat is made from bent plywood. The chair was Jacobsen’s international breakthrough and became very popular. Fritz Hansen have produced the chair since 1952 and now also make a 4 legged version. The chair has been succeeded by many similar chairs by Jacobsen all featuring slightly different shapes, the most successful of which being the series 7 chair. Click for series 7 chair.

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Ant-thropology: Ant Chair by Arne Jacobsen-


Arne Jacobsen designed the Ant chair in 1952. The chair has 3 chrome legs and the seat is made from bent plywood. The chair was Jacobsen’s international breakthrough and became very popular. Fritz Hansen have produced the chair since 1952 and now also make a 4 legged version. The chair has been succeeded by many similar chairs by Jacobsen all featuring slightly different shapes, the most successful of which being the series 7 chair. Click for series 7 chair.


www.theimportanceofbeingmodernist.com

Print Screen: Fabric print by Alvin Lustig-

Alvin Lustig designed this intaglio fabric print in 1949 for L.Anton Maix fabrics. Lustig, best known for his graphic design, was also a well respected interior, furniture and textile designer. In the 1940’s and 1950’s fabrics designed outside of the textiles industry became more widely produced. A trend for architects, furniture designers, intetior designers, graphic designers and even painters and sculptors trying their hand at fabric design emerged. As the creatives were already established in their fields and understood the principles of modern design it was a natural progression.

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Print Screen: Fabric print by Alvin Lustig-


Alvin Lustig designed this intaglio fabric print in 1949 for L.Anton Maix fabrics. Lustig, best known for his graphic design, was also a well respected interior, furniture and textile designer. In the 1940’s and 1950’s fabrics designed outside of the textiles industry became more widely produced. A trend for architects, furniture designers, intetior designers, graphic designers and even painters and sculptors trying their hand at fabric design emerged. As the creatives were already established in their fields and understood the principles of modern design it was a natural progression.


www.theimportanceofbeingmodernist.com

(Source: cathyofcalifornia.typepad.com)

Miller Light: Miller House by Eero Saarinen-


Designed in 1953 and completed in 1957, Miller house was commissioned by industrialist and promoter of modern architecture J Irwin Miller. The house situated in Columbus Indiana, was designed around a large central living space, with bedrooms, kitchen and bathrooms all adjoining. The house is filled with light due to the large floor to ceiling windows and the grid of skylights that criss cross the house above the corridors. Alexander Girard was called in to design the interior and he was responsible for the famous ‘conversation pit’ sunken seating area in the living room. The interior is typical of Girard’s playful style but also personalised to the family. The dining table features a fountain as a centre piece and the seats of the Saarinen tulip chairs that surround it, were individually monogrammed for each of the family members. Girard also designed the long shelving unit which spans the width of the house as well as the free standing fireplace. Completing the who’s who of mid century design legends that worked on the house, is Dan Kiley, who designed the gardens.


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Concrete College: Yale Art and Architecture Building by Paul Rudolph-


Designed by the then head of architecture, Paul Rudolph, the Yale Arts and Architecture building was completed in 1963. It is located in New Haven Connecticut. The cast in place concrete building, brutalist in style, was uncommon at the time and probably one of the first brutalist buildings to be constructed in the U.S. Unfortunately only after a few years a fire in 1969 destroyed a lot of the building. The building was renovated after the fire but altered heavily from the original design. There have since been several major renovations changing the original design which have lead to Rudolph disowing the building. These images were taken by Architecture photographer Ezra Stoller of the building in it’s original form before the fire/ alterations.


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Cover Girl: Arts And Architecture Magazine Covers by Ray Eames-


John Entenza bought Arts and Architecture magazine in 1938 to publicise modern design art and architecture. it was also used to publicise his case study house program. Ray Eames designed 28 covers for the magazine between 1942 and 1947. Ray who was trained as an artist created covers that were understated, however, her use of colour and shape was always eye catching. The magazine’s title font was designed by Alvin Lustig.


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